by Jean Prokott
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The sophomores have spent December writing creative nonfiction, short vignettes that allow them to rummage around for the metaphors hiding in their lives. I’ve been teaching personal essay for the last decade, so I often predict the topics students will choose (failing a test, church mission trip, sports injury) and the symbols they will find (butterflies, water, clouds) and preemptively direct them away from those clichés. The best part is to tell them what not to write. They have to keep rummaging.
Every once in a while, a kid finds a perfect peach of a topic and writes about it in a way that unties me. I want to share with you the story of “nonnie” so you see what I mean.*
That comma splice in the last line alone.
That structure with time, to start and end with death, to bring nonnie to life in the middle. Her metaphor is one we all know. There's a defining moment in our lives when we learn about death. nonnie represents the literal of this coming-of-age, but also her struggle up the hill represents how my student felt when she lost nonnie.
It was a gift to read this piece. I wrote tomes of feedback in purple pen—mostly stars and wut and this is powerful over and over to the point where she probably thought I’d been living as a recluse for the last decade with only episodes of trash TV to keep me company. (Although to be fair, I think I just described last year and most of this one.)
One would have to be a callous car crash of a person if they didn’t feel their heart explode when they learned about nonnie’s fate and the effect she'd had on my student, and the day I read this, the time of year I read this, that this had been the 80th out of 95 essays I’d read—nonnie’s story was literally the saddest thing I’d ever heard in my whole sad life and I would spend the rest of my days mourning nonnie and my student’s loss. After I read about nonnie, I had a flashback to an experience I’d had on my grandparents’ dairy farm and a cow named Flopsy, who’d been born with a messed-up leg. The end of that story is predictable: while eating hamburgers one evening, my father brought it up. That wasn’t the impetus of my response, however.
Because it is quite clear we are all nonnie.
Her tragedy was that she’d wanted to climb a hill. There are so many hills this year. nonnie drowned “all because she faced an incline and couldn't get up. Such a simple action.” nonnie had spent her life free and sassy and getting under fences. She “liked potatoes.” I like potatoes, too, I’d thought. I like potatoes, too.
Since the assignment was not one short scene, but three, when I conferenced with my student this week, I reviewed more rough drafts. One was about a horse named Iago (and I’m sorry, but find a more perfect name for a horse). An excerpt:
Is Iago still alive? I asked. Yes, Ms. Prokott, Iago is still alive.
The third scene was about a chicken.
I read this, I looked up, I said: Why are you doing this? Why are you trying to kill me?
What also kills me is how humble she is. I think I might spend the rest of the year convincing her that, yes, it is that good. I know I will spend the next decade using her essay as a model for the assignment. And I just now realize this random IKEA print of a cow I have hanging in my classroom will never look the same.
My reaction to this powerful piece was not only reader-response, of course—this student has mastered empathy and control of language and voice and happy accidents and every possible technique to make me react the way I did. But I don’t want to talk about how she got there, don’t care to list which activities we did in the classroom, don’t want to get my nails dirty in pedagogy. This was all her. I simply want to share this victory. Her victory to write such a heart wrenching piece, to have the maturity to revisit grief and make it beautiful.
While we’re all nonnies this year, struggling up the hill (and praying we don’t meet her fate) maybe we can also be my student. It’s been a year of loss, so let’s talk about it. Maybe find the metaphors. Learn from our students. And the next time you have a glass of milk, please pour one out for nonnie. * The student has given me permission to share.
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