Ideas by Shannon Helgeson, Suzette Rowen, Tami Rhea, & Natalia Benjamin (consolidated and framed by Heather M. F. Lyke)
In Adam Grant’s recent Taken for Granted episode, “Jane Goodall on Leadership Lessons from Primates” (released March 1, 2021), Goodall shares that “at some point in our evolution we developed this way of speaking with words so that we can teach children about things that aren't present. We can gather together and discuss something--people from different views--and that is what I believe led to this explosive development of our intellect.” Likewise, Sir Jony Ive of Apple is often quoted for noting that “the best ideas start as conversations.”
After each session spent recording a new podcast episode, Mike Carolan, Nick Truxal, and I gather together in one of our offices or via a video call, and these follow-ups often begin with a version of the phrase “I learned so much.”
There is a creative energy and a passion for new ideas that often comes from the collaboration and conversation between individuals. For our podcast team, that is what makes the time devoted to our efforts more than worth every minute spent. This is also the root of why our team walked away with so many new ideas and revitalized energy after our discussion with four of Minnesota’s 2021 Teacher of the Year nominees.
Snapshot of a Collegial Conversation
In our conversation with our four Minnesota Teacher of the Year nominees, three threads of focus soon emerged, despite being braided together. We sorted them here:
Cultural Exploration and Understanding:
One clear thread that came up during our conversations was a desire to expand one’s personal understanding of bias, racism, and cultures other than one’s own. Some of the resources shared were:
Two professionals in the field come up often, including in this conversation, when talking about teacher leadership—specifically in the area of instructional coaching. A portion of our conversation kept circling back to the works of Jim Knight and Elena Aguilar.
Inspiration from Outside Education:
It may be hard to believe, but educators do take breaks from time to time—spread our wings outside our field. That said, we never fly too far from the tree of education that roots us to the profession, often discovering ideas and tools that lead us back to the field we love. Such as was found with:
Bringing Conversations into Classrooms
These types of collaborations may happen more organically in our collegial world, seeing as adults have often developed the skills needed to listen, to build off of others, and to see the future potential of a conversational thread. That said, we all learned these skills somewhere.
Rich conversations need to happen in classrooms too. As Goodall noted, it is in conversations where the “explosive development of our intellect” comes into play. There is a thirst for learning that happens naturally and sporadically when we bounce ideas off of each other: in podcast conversations and in classrooms.
If you’re looking for ideas for increasing student growth, learning, and passion through conversation collaboration, consider digging into these resources:
Knowing that “the best ideas start as conversations,” we encourage educators to model conversational learning by participating in these opportunities often, as well as creating a space for such learning in our own schools and classrooms.
Teachers of the Year
with Shannon Helgeson, Suzette Rowen, Tami Rhea, & Natalia Benjamin | 4.26.2021
We have the pleasure of digging into innovation, inspiration, and influances with four of Minnesota's Teacher of the Year Nominees.
The Story of Transforming a School System
By Gina Meinertz
Globally, educators are seeing a need to change school systems. We believe in the possibilities of equity, all students achieving, and all students graduating ready to contribute to the common good, but we also know there are barriers standing in the way of those beliefs. The hard work to transform our system will not only mean we will need to identify the barriers but that we will also need to find solutions that include more voices and better outcomes.
Spring Grove Public Schools is on a journey to transform a traditional public school into a culturally relevant learning space that ensures every child confidently uses their passions and strengths to find purpose. To do this work, a team of teachers, students, parents, leaders, and board members created a vision of the 21st Century One Room Schoolhouse with pillars of self-paced curriculum, project-based learning, flexible learning spaces, and real-world learning opportunities.
Here are some thoughts on how a more traditional system can transform into a student-centered learning environment.
Transforming Traditional Roles and Feedback Loops
Hidden Voices: Designing A System for All
Spring Grove consistently uses design teams so students, parents, and educators collaborate to envision, prototype, and research the best next steps for our school. We use a series of improvement cycle protocols, including empathy interviews, to hear all voices. When we collect this information, the order of the collection is integral. Unlike most systems, feedback starts with our students so that the adults listen to the voices of the youth before sharing their own perspectives. This ensures the traditional power holders are listening before speaking. We also have a practice of looking at our data from a series of lenses. We start with common themes, and then take a second look purposely searching for hidden voices with concepts from equity design principals intertwined. If we are missing any stakeholders or groups, we seek out empathy interviews with these individuals. If we are hearing passionate or loud voices, we may use the “5 Whys” technique to find and respond to the root cause.
Flexibility: The Students and Families Shape Their Own Success
We know our school system will forever be changing and transforming. This is because Spring Grove offers opportunities and choices to students, parents, and staff members. This relationship of communication and trust has allowed us to continue our healthy transitions, even during a pandemic.
Here are a variety of ways we have been able to use the shifts and stressors of the pandemic to further our advancements in culturally, relevant student-centered learning.
Transformational Leadership: A Shift In How We Support Our Vision
Maybe because of the size of our system or maybe because of creative thinking, Rachel Udsuen, our Superintendent, has created a Transformational Leader position that combines Transformational Coaching with Leadership (this is the position I hold). The primary goal is to break down barriers holding back the vision of culturally relevant, student-centered learning by working with teachers, students, parents, community members, and other staff individually, in small groups, within the community, within the county, and within the state. Another role of this position is to listen with empathy, dig for voices that may have been missed, and support everyone interested to achieve desired outcomes. Lastly, the role includes analyzing systems, writing and revising policies, and supporting the system to represent the voices and perspectives of multiple stakeholder groups.
Our goal was to create a setting to support the passions, interests, and individual professional development needs of all adults, so that the adults could in turn implement deeper learning, whole child development and personalized learning experiences for students. As a coach, I personally use experience mapping to storyline the growth and needs of our system as we transform. As a leader, I work with my team using human-centered design and Studor Education to visually transform feedback loops and research into practice in a transparent way.
Impacting Community and Place
Place-based Learning in Outdoor Classrooms: An increase in Inquiry & Engagement
Our educators wanted to find ways for our students to feel safe and engaged in learning during a pandemic, which led us to outdoor learning. We reached out to some friends in Norway at Hoppensprett. They shared how they started outdoor classrooms with details about how they would instruct, eat, and learn outdoors. This inspiration helped us as we designed three outdoor classrooms in the elementary, a middle school partnership with a city park, and additional outings for many students to prairies, woods, and wetlands.
Outdoor Classrooms have been such a success from the perspective of our students, teachers, parents, and community members. Students ask more questions, observe with more detail, focus better, and make more connections between learning and life. Projects of learning include but are not limited to the following learning themes:
The city has supported our efforts by renovating three shelters to create spaces of flexibility where windows can be closed and opened to protect students from the wind and other elements. Our Communications Company gifted the internet to our outdoor shelters. Teachers invite guest speakers frequently to share their experiences and expertise to engage students with authentic and relevant learning. These students will end their year by creating a new outdoor natural reading space for all students in the school. They are organizing funding, designing a log to be transformed into a bench, and planning a native plant garden to surround their reading bench. In years beyond, they plan to increase the native plant populations around the entire school grounds and city.
Place/Based Learning: Experience Drives Learning
Traditionally, all students in seventh grade and above in Spring Grove functioned with a similar eight-period day schedule. The pandemic brought us to create a middle school pod. The teachers started teaming to create interdisciplinary units of study focused on real-world problems, self-reliance, and collaboration.
The students partnered with the City of Spring Grove to research, plan, and design a park with more native plants and natural spaces. Students learned from an environmental educator about biodiversity, habitat, and prairie plants. Using this knowledge as well as their aesthetic preferences, students designed maps and presentations to share their ideas of how to improve the park with the grant funding. Students shared this with the Mayor and Parks and Recreation committee. They will receive feedback before ordering the plants. The City and students plan to continue this project into the spring so the students can learn about soil preparation and testing, planting conditions, and will in the end complete the project alongside community members.
Ideas by Audrey Betcher, compiled by Nick Truxal
“I wake up each day hoping for a failure, because with a failure, I learn. With success, I move on.”
This is a fitting quote to begin with, as I don’t remember where I heard it. As a writer, not crediting my sources is absolutely terrible. (Shouldn’t I just not use it, then?)
Yet, that is the point—there is more to learn from sharing the quote (failure to cite) than from not sharing the quote (which would have been a success citation-wise). Audrey Betcher shares in her podcast “Building Stronger Communities,” available March 26, 2021 on Third Eye’s podcast, that failure has been important for growing a community willing to tackle difficult situations. For those unfamiliar, Audrey Betcher is the library director for Rochester Public Libraries, and has been for twenty years. In that time, she has led her organization to receive the prestigious National Medal for Museum and Library Services award for “significant and exceptional contributions” to her community.
To achieve this recognition, some of the difficult conversations Betcher needed to facilitate included the exact same types of questions schools are faced with daily.
In order to answer these questions, though, she needed to create an environment that celebrated risk taking, openness, collaboration, and indeed, failure.
One of the many things Betcher did in order to help build the capacity of her community to be collaborative, open, and willing to take risks was to celebrate each of these traits. She did so by inventing the following three awards.
1 | The Collaboration Award
An award that celebrates not the outcome of a collaboration but rather the quality of collaboration that occurred.
2 | The Cliffjumper Award
This award is a celebration of taking risks. Though this tilts towards the successful, it certainly is a great set-up for our third award.
3 | The Heroic Failure Award
“Where we just totally fail, but yay! The things that come out of the heroic failure award morph into something so much better than we could ever imagine,” Betcher stated in our podcast conversation.
More specifically—focusing on education, there are a few applications to be made. First, of course, is having something akin to these awards in our school or in our own classrooms. Next, however, is the application to Carol Dweck’s work on growth mindset, which may include tools such as “My Favorite No” or “The Robert Frost Technique.”
There is a lot of research available that demonstrates the failures of a growth mindset, and if we want to learn and grow from failure, we must keep these in mind as well. The primary issue with the growth mindset has been in terms of a focus on outcomes rather than a focus on process. Dweck, the leading voice on growth mindset, has spoken many times on this trouble spot, which she sums it up in her article for The Atlantic by saying, “The whole idea of growth-mindset praise is to focus on the learning process. When you focus on effort, [you have to] show how effort created learning progress or success.”
As educators, it’s often important to remember that we must make room for failure, appreciate it, even celebrate it to grow. Keeping that in mind, let’s lean into this failed quote one more time:
“I wake up each day hoping for a failure, because with a failure, I learn. With success, I move on.”
If we wrap failure in awards, community, collaboration, openness, and a growth mindset together, our students and staff will all be “hoping for a failure,” according to a source uncited.
by Heather M. F. Lyke
There is an old adage that, “It takes a village to raise a child.” This year, I thought I’d try and grow the population of the specific village raising ‘my children’ (or, in my case, the 174 students I taught first semester) by widening the access my students have with adults in our community.
The First Community Collaboration
Some might assume—because I’m married to a social studies teacher or because I once had a job supporting social studies teachers—that I am well-versed in all things historical. This is far from true. While I love reading historical fiction and I’m well versed in certain literary and philosophical movements, that’s where my historical expertise ends. For this reason, when a colleague of mine pointed out that a local expert on the orphan trains of the early 1930’s was going to be giving a Community Education Class on the topic, I decided to reach out—see if she’d come in and work with my students.
My sophomores and I had started the school year off reading the novel Orphan Train by Christina Baker Kline. Not only do students love the snarky zest of the protagonist who happens to also be in high school, but this character’s world-view ties in well with our Native American Indian Literature state standards. Simultaneously, however, the other protagonist navigates a part of history my students and I knew very little about… So why not bring in a community expert?
My students loved Dorothy Lund Nelson’s visit. She had done a lot of research and was passionate about her topic. She had students wear name tags and she talked to them as if they themselves were orphans in the early 1900’s. For the rest of the book, and occasionally throughout the rest of the year, students would reference her visit. Plus, she left a copy of The Home We Shared: History and Memoir of the North Dakota Children’s Home at Fargo, North Dakota behind for our students to share, and when we were still together in the classroom it was checked out often.
The Next Community Collaboration
Working with Dorothy Lund Nelson is what got me started—and it led to a community connection that just keeps on giving: our Mayo High School collaboration with the Rochester Public Library (RPL).
We stumbled into this collaboration naturally because every Tuesday, when I would meet one-on-one with roughly a half-dozen students throughout the period to talk about what they were reading, I kept finding myself recommending audiobooks to my more reluctant readers and to my students struggling with fluency when reading aloud. Personally, being addicted to audiobooks, I was surprised by how many students were not aware of the audiobooks they had access to for free via our school library and via RPL. This prompted me to reach out to RPL and see if they’d have any interest coming and getting my students connected with library cards. Sarah Joynt, their librarian who does student outreach, was instantly on board.
Joynt spent the day with me and my students. Each period, she shared with students some of the many online resources RPL provides, discussed some of the in-person opportunities that teens often enjoy at RPL, answered a wide variety of questions that students had, and then got those who wanted them set up with library cards (which she delivered to us about a month later). A high-energy presenter, students leaned in and listened to her every word. They ask questions about the Bookmobile and the BookBike, they wanted to know how to get jobs at RPL, they even wondered aloud if there were ways to get overdue fines waved (yes, by the way, there is). In fact, this collaboration went so well, that now all 10th graders at Mayo High School—not just those who have me as a teacher— have had Joynt come into their American Literature and Composition classrooms to share about RPL’s free resources.
Here are a few snapshots of the magic that Joynt brought into my students’ lives:
Future Community Collaborations
There was a time in my teaching career where I though bringing in community members wasn’t worth the effort it would take. Well, color me a different color now. In both cases this year, reaching out was fast, easy, and simple. The benefits far outweigh any negatives that came with scheduling these visitors. In fact, I’m already making plans for next year—and I’m not just planning to bring back Lund Nelson and Joynt: I’ve already started lining up community experts in the field of writing to work with my Creative Writing students in the school year 2020-2021!
If nothing else has been verified by the pandemic, it is indeed that it does “take a village to raise a child.” I am heartened by, and lucky that, this year I took the time to expand my students’ village this past fall, because it certainly made this pandemic-spring a bit easier for them to navigate. We never know what the future has in store, so why not give our students as many connections as possible? And those connections can easily extend far beyond our classroom doors.
by Heather M. F. Lyke
article 1 of 4
As soon as Dessa’s voice hit the word slay in the third paragraph, I knew I had them. Even my most skeptical sophomore sat up a bit taller—took note. Clearly, this narrative exemplar was not what he and his classmates had been expecting.
We were just about to finish our Telling It Like It Is unit in American Literature and Composition, and the grand finale was to craft a nonfiction, mini-memoir overflowing with description and—ideally—cleverly framed. What exemplar could be better than the chapter “Household Magnets” from Dessa’s book My Own Devices? Oh. Wait. The audio version where Dessa herself reads her own words.
Honestly, most were leaning in, highlighters poised, right from the first sentence: “Mayo Clinic is a world famous hospital in Rochester, Minnesota.” After all, at the time I was teaching in Rochester, Minnesota, at a high school named after the famous clinic where many of my students’ parents were gainfully employed.
But, to hear the author herself use language like what students used in the hallways--slay, punk kid, s’pose—in an American Literature class was novel enough that even the cynical took note. Success!
My own students discovered what many educators know, and yet that many educators forget.
“The world is not organized like a university, with its sharply demarcated departments. There is one world, which we can (and should) approach from many perspectives. Dessa’s work is a great illustration of this principle.”
My students were expecting American Literature to be something that it is not. Stagnant. Isolated. Lacking soul.
The “transdisciplinarity of Dessa’s art and work make it well suited for rich conversation and analysis” that “allows educators to cross boundaries.”
In showing students how interlaced learning, content areas, and personal interests can be, it allowed them to break down their preconceived notions. This boundary-crossing approach is part of what makes learning “sticky” for students. According to John Hattie’s research, “Integrated Curricular Programming” has the effect of producing approximately a year and a quarter of growth, and “Creativity Programs” have an effect of producing over a year and a half of growth, when compared to an average school year. This is not how Hattie is meant to be read, but is our best approximation of simplifying his data.
“I teach English, but through that, my students learn Psychology, History, Cultural Context, and how everything ultimately connects together. The more connection between material we can make for our students, the more they will be able to see the full picture...It is not my job to tell them what to think, it’s my job to teach them how to think so they can make critical and informed decisions/ not be taken advantage of due to ignorance.”
In the same chapter I shared with my students, Dessa notes that for that day her “job was to talk about life as an indie musician, hopefully sparking some cross-disciplinary insights.” Yet, as the renaissance person that she is, Dessa manages to ‘spark cross-disciplinary insights’ even when she’s not necessarily trying to. As a rapper with a philosophy degree who once worked as a medical technical writer, it’s not surprising that her polymath skillset has her interweaving inspiration from across a wide spectrum into her vast portfolio of works.
Dessa’s work is beautiful, intellectual, witty - it speaks to me personally and is a great example to my Alternative Ed learners that you can weave your interests and your passions into your work. That the things we enjoy, like Rap, don’t have to be 180 degrees different from schoolwork, or your life’s work.
At the time I used “Household Magnets” with my students, I leaned on her references to local geography, to biological science, to kickdrums, as a way to ensure student interests. (You don’t like writing creatively, but you enjoy science? Well, maybe this will keep you listening! -- You don’t want to read a long piece by a dead white guy? Well here is a work of art created by a living, breathing, female rapper: so there!)
However, when I return to the classroom, I suspect I will do things differently. I missed a golden opportunity with this chapter. Rather than just hook the science-loving learners, what if I had collaborated with Mr. Devine on an analysis of the accuracy of Dessa’s biological descriptions in this section? Rather than simply connecting with the musicians in the classroom via the content covered, what if instead we had worked with Mr. Cole and Mr. Devine to do a side by side analysis of how a kick drum sounds in comparison to the beating of a heart?
Perhaps, this is one of the most inspirational ways in which Dessa can push us to be better educators. She is never locked into the confines of one content area, so why should we be?
Classroom Application Suggestions
by Third Eye Education, consolidated by Nick Truxal
Third Eye Education’s Core Collaborator’s February discussions have been rotating around “Human-Centered Design.” It’s been a blended conversation: covering the threads of voice, disparity, equity, practices of application, training, and onward. The following is our attempt at a concise representation of these discussions.
First, if you are new to the ideas of Human-Centered Design (HCD)…
To return to the dangling click bait of an introductory quote, we do have a chance to establish new normals as we emerge from the pandemic. For example, Rochester Public Schools in Rochester, Minnesota is exploring establishing a Design Team: a group with diverse viewpoints and skill sets designated to solve problems from the large to the small in innovative ways. In exploring this idea with the Third Eye Collaborative, John Alberts pointed out the obvious: “We were attempting to solve the problem of how this team might function with traditional tools, while the team itself would be functioning through the lens of HCD.” This idea can apply to this article, and to Third Eye Education, as well. Why discuss Human-Centered design when we can apply it?
The Rules of the Room
The Third Eye
| 1 |
My concept of storylining blends the phenomena-based storylining that science curriculums are moving towards (Illinois example), with the Montessori principles of a three-period lesson, the Visible Learning work of learning intentions and success criteria, and student inquiry-based, place-based, and experiential learning. I taught four sessions to interested teachers in our district this summer. Our teachers are using this as a tool for human-centered design in learning. All students have a voice in the storyline as they explore their interests and perspectives with success criteria.
Storylining Folder with Professional Development Links and Step-by-Step Guidance
In our meeting, I recommended not thinking about just having one design team, but setting up a system where educational stakeholders rotate in and out of the design lab. Then, by using storylining as a tool the different stakeholders map the Ideate, Iterate, and Implement steps of Human-Centered Design in a way that tells a story of growth, voice and equity. Here is an example of how we are starting to track our story and growth. This is the skeleton of what we are building:
Experience Mapping - Coaching and Transformational Documentation Tool
| 2 |
Identify a specific, actionable “teaching problem.” Use the above Ideation process, or others, to choose the problem.
Design a lesson around a hypothetical fix with your instructional coach or with your team.
One teacher in your group teaches the hypothetical lesson; others come to observe...
Come back together with the entire team to make tweaks and improvements.
Then, repeat steps 2-4 as needed. This is the true definition of iteration.
| 3 |
The TLDR Takeaway